Evidence of Controlled Use of the Camera & Exploring Shot Types and Sizes

This post I will be showing the different shots and sizes we used in our trailer and why we decided to use them.

Shot 1

This is our opening shot after the production company logo. It is an establishing pan where we introduce the audience to our film. It pans to a red door. We chose to use this shot as it connoted danger and when we were sorting through the footage this one gave off the right vibe/aesthetic for the introduction of our trailer.

Shot 2

This is the shot we filmed in the car. My partner and I left the camera in the car and just let it record which made it feel and look more real because if we had filmed outside then there would have been glares and bad audio. Then you see a shot my partner filmed using the rearview mirror to capture a great shot of Sydney's face. We did this to make Sydney look like an outsider.

Shot 3

This is a birds eye view of the glass bottle. They are playing spin the bottle and this shot cuts the majority of the actresses out of the shot. Then it goes onto a low angle shot of Sydney smiling at her friends. I took this shot because it showed Sydney as an isolated outsider again.

Shot 4:

This was taken at a low canted angle that my partner took of Sydney dropping the glass. The low angle makes the audience feel like they are below Sydney and that she is powerful. The canted angle gives the audience a feeling of somethings not right here. We chose to use this shot as it is the start of where everything goes wrong.

Shot 5

This was taken at a low angle of the light moving around and shaking. We decided to use this shot as it was there to signify the spirit and the paranormal events happening since Sydney had been back.

Shot 6

This is a shot reverse shot sequence of Sumiyyah waking up to the record player just starting to play without anyone touching it. As the scene plays out each shot gets closer to Sumiyyah and vice versa with the record player.

Shot 7

Here is a subjective view where the audience are meant to feel like they are in that characters shoes. In this shot Anmol has just woken up with scratches on her arms and we chose this shot because we wanted the audience to feel as if they are the ones with the scratches on their arms. It makes the audience think 'Where did they come from?' and I think this shot does that.

Shot 8

This is the shot on the sink. Me and my partner took several different shots using items that reflected around the house. I shot this from the side of the sink and got our actress to wash her face leaving the villain to be revealed. 

Shot 9

This is our action sequence which has multiple different shots. First off we have the body pan where the camera moves up Anmol's body from the knife in her hand. We have a dolly shot because our actress is moving towards the camera with a hammer. The camera is also shaking because we wanted to do a subjective view almost as if Sydney is chasing them with the hammer. Then we have a closeup that pans up to start the shot showing the knife and then showing the actresses bruised face. Lastly we have the shot from the floor where my partner placed the camera on the ground and recorded our actress running. We chose all these shots because they worked well together and created suspense.

Shot 10

This is our first jump scare where Sydney jumps from the cupboard. It starts with a side pan of Sydney's reflection in the hand mirror and then a pan and zoom to Sydney in the cupboard. We chose these shots because they were effective together and then when Sydney jumps out of the closet the previous two shots would have helped to create suspense for this jump scare.

Shot 11

This is the last shot of the trailer and it is a zoom on Sydney's face. Again it is a reflection in the hand mirror only Sydney is the villain. We chose to repeat this shot but with the villain to show what is really within Sydney.